Martin McDonagh’s directorial debut, “In Bruges” is such a strange, ungainly, hilarious movie that the film has turned into something of a cult favorite. For his sophomore effort “Seven Psychopaths,” McDonagh brings that same uneasy pairing of comedic violence with weighty philosophizing that marked his first movie, but this time he riffs on Hollywood. Continue reading ‘Indie Roundup: ‘Seven Psychopaths’’
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